Jason Salavon (1970, Indiana) is a Chicago-based artist who designs computer programs and software that reconfigures data from the Internet such as search results, news headlines, and social media trends. Through photographic prints, digital animations, and real-time software installations, Salavon presents new ways of seeing and understanding the flow and construction of information in contemporary culture.
MOCA will present the first US museum exhibition of this intimate collaborative installation by British artist Phil Collins (b. 1970, Runcorn, UK). The work features six listening booths housing 7” vinyl recordings of original songs that the artist created in collaboration with guests of a homeless shelter in Cologne, Germany, as well as with Collins’ vast network of musicians.
Constant as the Sun is the third installment in MOCA Cleveland’s series of thematic group exhibitions focusing on artists working in or deeply connected to the region, including artists working in cities in Western Pennsylvania, Western New York, and Eastern Michigan. Presenting ten artists or artist collectives, the exhibition features new and recent work that explores diverse approaches to portraying, building, and connecting community.
In My American Dream, his first solo museum exhibition, artist Keith Mayerson offers a distinctive view of the American Dream at a critical moment in our sociopolitical landscape. Presenting more than 100 paintings from a twenty-year body of work, My American Dream weaves together famous figures, iconic events, inspiring landscapes, and personal experiences into a vibrant cosmology.
Lu Yang (b. 1984, Shanghai) creates provocative and imaginative work that interrogates what it means to be human in the 21st century. Lu’s videos, sculptures, and installations investigate how neuroscience, medical and digital technology, and the Internet are changing society. Through her exploration of digital culture and technology, Lu goes so far as to purport to “live” on the Internet.
Adam Pendleton: Becoming Imperceptibleis the largest solo presentation of the artist’s work to date. The title of the exhibition is derived from the writings of Gilles Deleuze and Felix Guattari, who assert that “to go unnoticed, is by no means easy,” and positions Pendleton’s practice as a form of counter-portraiture. The works on view explore visual and cultural framing practices to re-contextualize European, African, and American aesthetic and cultural movements from Minimalism and Dada to Black Lives Matter.
Lisa Oppenheim: Spine is the artist’s first solo museum exhibition in the United States. Bringing together three bodies of work, the exhibition takes poetic inspiration from the notion of the spine and its relationship to the natural world, the body, and labor.